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Manipur Violence | Insight Exclusive

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The recent violence in Manipur has brought great tragedy and heartbreak to the people of the region. Reports suggest that the violence has resulted in loss of life, injury, and destruction of property. It’s important to approach this issue with care and sensitivity, recognizing that the underlying factors leading to the violence may be complex and multifaceted. Despite the complexity, we must not overlook the immediate needs of those affected and strive to provide support and assistance.

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Indian Comicverse: A Nostalgic Revival at the New Delhi World Book Fair 2025

The New Delhi World Book Fair 2025 saw a vibrant revival of Indian comics, blending nostalgia with modern storytelling. Iconic publishers showcased stunning visuals and gripping narratives, marking a new golden age.

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The New Delhi World Book Fair 2025, hosted at the grand Bharat Mandapam from February 1 to February 9, was a spectacular celebration of literature, art, and storytelling. This year, the event took on a special aura as the Indian comic book industry made a resounding comeback, rekindling the magic of illustrated storytelling. The fair was an electrifying blend of nostalgia and innovation, as both legendary pioneers and fresh new creators showcased their work, proving that Indian comics are entering a new golden age.

The Return of Indian Comics: A Journey Through Time

For many, names like Suppandi, Nagraj, Bankelal, Cheeku-Meeku, and Amar Chitra Katha’s legendary epics evoke a wave of childhood nostalgia. These comics, once household favorites through the ’80s and ’90s, experienced a sharp decline with the rise of video games, internet culture, and smartphones.

“The first decline happened in the ’90s with the arrival of VCRs and cassette tapes, which offered an alternative to comics and pulp fiction novels. The second major decline came after 2010, when smartphones took over, making digital content easily accessible and changing reading habits entirely,” explained an industry expert at the event. However, the industry has been making a powerful resurgence, thanks to new-age Indian graphic novelists and initiatives like the Comics Creator Championship, Comic Con, and WAVES.

The global comic book industry, valued at $14.69 billion in 2021, is projected to reach $21.37 billion by 2029, and India is riding this wave of growth with renewed enthusiasm. At this year’s fair, the stalls featuring illustrated editions of the Hanuman Chalisa, Mahabharata retellings, and stories of Indian war heroes drew massive crowds. Publishers like Amar Chitra Katha, Raj Comics, and Campfire Graphic Novels made a huge impact with their stunning visuals and gripping storytelling.

The Icons of Indian Comics at NDWBF 2025:

Amar Chitra Katha: A Timeless Treasure

The Amar Chitra Katha stall was a hotspot at the fair, with its collection of religious epics, historical legends, and bestsellers like Tinkle and Suppandi. The brand has expanded into new territories, even covering contemporary stories like Mann Ki Baat—a 14-volume series available in 12 languages, created in collaboration with the Ministry of Culture. This fusion of old and new has made Amar Chitra Katha a key player in keeping traditional stories alive for newer generations.

Raj Comics: The Evolution of Indian Superheroes

Founded in 1986, Raj Comics has been a staple in Indian pop culture with its iconic superheroes like Nagraj, Dhruva, and Doga. Over the years, Raj Comics has consistently evolved with technology, from digital coloring in the 2000s to the growing popularity of international comics in the 2010s. “Indian comics today can compete with Marvel when it comes to illustrations,” said a Raj Comics representative. As they transition into film adaptations, these Indian superheroes are set to reach an even larger audience.

Cinemics: A Genre for Every Reader

Cinemics has made a name for itself by publishing a diverse range of comics, spanning horror, comedy, kids’ stories, suspense thrillers, murder mysteries, and even time-travel adventures. Most notably, they have brought Chandrakanta to life in a graphic format for the first time, bridging classic literature with modern storytelling.

Ektara: A Tribute to India’s Traditional Art

Ektara’s approach to publishing is deeply rooted in India’s artistic heritage. Their beautifully illustrated comics and graphic novels celebrate the country’s traditional art forms. “We don’t aim to teach a language or push an agenda—we simply want people to appreciate history and literature through exquisite art and storytelling,” said an Ektara representative.

Biplob World: Comics with a Cause

Biplob World stood out as an eco-conscious publisher, dedicated to creating engaging stories that educate children about the environment. “There’s a Biplob within each of us. The solutions to our problems don’t come from an external superhero; they lie within us,” explained co-founder Abhishek. Their comics inspire young readers to care for nature through interactive storytelling.

Ashwatha Tree: Cultivating Pride in Indian Heritage

Ashwatha Tree’s mission is to instill a sense of pride in Indian traditions and culture among children. Their books cover Indian festivals, folklore, and historical narratives, ensuring that these cultural treasures are not lost with time. “If we introduce children to these stories at a young age, they will carry these values forward,” said the founder.

Campfire: A Global Force in Graphic Storytelling

Campfire Graphic Novels has redefined illustrated literature by creating high-quality graphic novels on history, mythology, and biographies. From Indian epics like Draupadi and Karna to global figures like Gandhi and Nelson Mandela, their well-researched and authentic art has gained worldwide recognition. “Our books are available in over 40 international languages, from Spanish to Arabic,” shared a Campfire spokesperson.

AAN Publications: Honoring India’s Real Heroes

AAN Publications is dedicated to telling the stories of India’s real-life heroes—soldiers, warriors, and unsung defenders of the nation. “We bring forward the stories of those who have sacrificed for the country but remain unknown to most Indians,” said a passionate representative. Their publications emphasize patriotism, making them a standout presence at the fair.

A New Era for Indian Comics

The 2025 New Delhi World Book Fair proved that Indian comics are back with a vengeance. The fusion of nostalgia with cutting-edge storytelling and breathtaking artwork is breathing new life into the industry. From mythology and history to superheroes and social themes, Indian comics are more diverse and engaging than ever before.

This event was a testament to how illustrated storytelling is evolving, captivating audiences old and new. As publishers continue to innovate and adapt, the Indian comic book industry is set to soar, carving out its place on the global stage.

Did you attend NDWBF 2025? What’s your favorite Indian comic? Let us know in the comments and stay tuned for more exciting updates from INSIGHT!

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A Tale of Two Rivers: Yamuna and Sabarmati

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Aerial view of Yamuna and Sabarmati was taken with the help of Google Earth.
Aerial view of Yamuna and Sabarmati

India considers its rivers sacred. In Hinduism some are even personified as goddesses. Yet, paradoxically, these revered rivers often bear the brunt of abuse and pollution. Vital to the rise of civilizations, rivers are lifelines without which cities cannot thrive.

In this documentary we explore the tale of two rivers, Sabarmati and Yamuna both are lifelines of their respective cities, yet they stand as stark opposites. Life resides on the banks of both the rivers but people of Yamuna breathe poison while Sabarmati riverfront Ahmedabad provides a haven for leisure, economic activities, and community life.

The Sabarmati Riverfront showcases a governance model that marries urbanization with environmental preservation. Often mistaken as the capital of Gujarat, Ahmedabad stands as a stellar example of city planning and sustainable development. For decades, the Sabarmati was a neglected and polluted river. However, the Gujarat government decided to turn the tide.

It decided to use the 100 crore amount from the River conservation program to clean the Sabarmati. It installed pumping stations and sewage treatment plant. This gave the people of Gujarat hope. Soon the Sabarmati riverfront development project was passed and a special purpose vehicle called the Sabarmati Riverfront Development Corporation limited. The river was on its way for a makeover. Soon strategies for flood protection, bank protection, and river training were formulated. On both the banks of the river diaphragm walls were built to sustain floods and the project can sustain levels of 4.75 lac cusecs without spillage into the city.

In stark contrast, the Yamuna, personified as the goddess Yami, remains murky, toxic, and heavily polluted. It supplies 70% of Delhi’s water, yet the 22-kilometer urban stretch between the Wazirabad Barrage and Okhla Barrage—just 2% of its total length—accounts for nearly 80% of the river’s pollution. Every winter, the Yamuna is blanketed in toxic froth, mockingly referred to as the “famous bubble bath” provided by the Delhi government.

Crores of rupees have been invested in cleaning the Yamuna, involving Japan international banks, various plans, and strategies, yet the efforts appear to yield no significant results. The Government of Japan provided loan assistance for implementation of YAP in December-1990. YAP was formally launched in 1993, now called as YAP phase I. The total cost of YAP I along with the additional package was INR 7.32 billion between 1993 and 2003. Subsequently, under YAP II, INR 6.24 billion was allocated between 2004 and 2011, but the project failed to meet its deadlines. In 2019, YAP III was launched as part of the Namami Gange project. Nearly INR 6,856.91 crore was spent over five years, from 2017-21.  In 2023, the Delhi government allocated an additional INR1,028 crore for cleaning the Yamuna, bringing the total to INR 3,139 crore. The Delhi government had received a fund of INR 618.50 crore under the Yamuna Action Plan III from the Central government and had spent around INR 687 crore for cleaning the Yamuna. Ministry of Water Resources, River Development and Ganga Rejuvenation in December 2018 released a sum of INR 2,361.08 crore to the Delhi government for 11 projects for cleaning the Yamuna.

The mathematics of the Sabarmati Riverfront development project is fairly simple and it isn’t merely about the beautification of the river. It is planned to sustain business, economics, people-centric activities, and further development of the city. The project was planned to self-finance. Its success lies behind the transparent approach of the government and SRFDL. Revenue of around INR 450 crore was generated from the sale of reclaimed land. This covered the initial 5 yea₹ of projected construction cost of INR 361 crore. The initial phase, which opened in August 2012, had a cost of INR 1,400 crore (US$160 million) as of November 2019. The second phase, covering 5.5 km on both banks, was approved in 2020 with an initial budget of INR 850 crore. The plan is to extend this to the capital Gandhinagar—26.65 km in multiple phases over the next 15 years.

Gujarat Model made Narendra Modi the 14th Prime minister of India and he has been the prime minister for three consecutive terms. It is a hard to digest pill for many politicians. It truly separates politics from governance and has made Gujarat one of most liveable cities of India. Sabarmati Riverfront development project is an important and beautiful part of the same model. This project is unique because it truly socialized a river, a historic river, which through decades of neglect and decay, had become a pathetic caricature of a river. It is high time that Delhi government learns the difference between politics and governance and utilise money being pumped into the Yamuna river.

In contrast, the Sabarmati Riverfront Project was strategically planned to be self-financing. Revenue of INR 450 crore was generated from the sale of reclaimed land, covering the initial five years of construction costs (INR 361 crore). The first phase, inaugurated in 2012, cost INR 1,400 crore. The second phase, approved in 2020, had an initial budget of INR 850 crore and aimed to extend the riverfront by 5.5 km. Future plans include extending the project to Gandhinagar—26.65 km in multiple phases over 15 years.

The Sabarmati Riverfront epitomizes the Gujarat Model of governance, which separates politics from administration. This model catapulted Narendra Modi to the position of India’s 14th Prime Minister, a role he has held for three consecutive terms. While critics may find this difficult to accept, the Gujarat Model’s focus on transparent governance and sustainable urban development has made Ahmedabad one of India’s most livable cities.

The Sabarmati Riverfront Project exemplifies how a neglected river was revitalized into a thriving social and economic hub. It is high time the Delhi government draws lessons from this approach, moving beyond political rhetoric to effectively utilize the resources allocated for the Yamuna. Clean rivers are not just a matter of infrastructure but a reflection of governance that prioritizes people over politics.

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Coliform bacteria found in MCD water: Ashamed of my Capital 

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Every year New Delhi welcomes people and their hopes. People from across the nation find themselves attracted to this city because of its prestige, politics, and power- thinking they might not become millionaires but would be able to afford bare necessities- food, clothing, and shelter.

However, that is a distant dream. These people find themselves in a vicious circle of selective development – always on the edge of losing it all. They make the Eighty Percent – and for them escaping the vicious circle is a generational challenge.

After the success of Borrowed Dreams: The Canadian Experience in 2023, Insight Media has worked on a docu-series called the Eighty Percent, presenting its first part Ashamed of My Capital in 2024. The national capital is the pinnacle as the administrative, political, and cultural nerve center of a country. The national capital’s infrastructure, institutions, and global connectivity play a pivotal role in shaping the country’s development trajectory and projecting its influence on the world stage. One of New Delhi’s major institutions is its MCD dumpsites or rather its mountains of trash, an infrastructure like none. Our team decided to investigate one of these institutions and arrived at the Bhalswa landfill in Rajiv Nagar of north Delhi. 

Our documentary reflects upon the life of the people living around the Bhalswa MCD dumping site. It exposes the hardship and struggle people of Bhalswa are subjected to and have no control over. A skyline of eagles along with a rancid stench welcomed us at the hill. A local resident, Mohammad Ali recalls how their morning routine is no less than war being fought on the border. He states “We all are daily wage labourers not Beaurocrat. We have to wake up early in the morning, fill water from the tankers, get ready, drop our kids to school and also somehow reach our work at 9:00 every morning. It is not less than any war being fought on the border”. Another resident of the Bhalswa settlement talks about how the dumping site has taken away his prime years. For Ishak Ali breathing has become cumbersome to the point where he cannot walk two steps without losing his energy. A mother of a 10 month old baby shared about how she had to leave her child with her relatives as the fires, smoke, and leachate were making it impossible for her baby to stay with the mother.

The Julaha are the invisible layer of life separating the world from the hill of trash. This   community is recognised as a scheduled caste under the Indian constitution and majority of them are rag pickers and people that work on the garbage hill. We got to know about their story hidden from the world, never part of the mainstream news, buried underneath the hill of trash. They are subjugated to methane which causes neurological disorder, cognitive impairment, and acute respiratory disorder. All of these lead to serious growth and development stunting in future generations, making sure leaving the vicious cycle of poverty and lack of social mobility is unfeasible. 

The Bhalswa landfill is an un-engineered site lacking necessary technology to prevent the environment from degradation. Moreover, the landfill exceeds the limit of 20 meters of height for un-engineered landfills. Without the essential technology all that accumulates at the hill finds its way in the groundwater and the nearby water body. We decided to test the MCD water that is supplied by the Delhi government to the people living near the Bhalswa settlement, water that is claimed to be fit for drinking. The water sample was given to the Shree Ram Food and Pharma research centre to test for quality of drinking water.                                                                                        

The report revealed the water to be infested with high levels of calcium, magnesium, and total dissolved solids (TDS). These can cause health issues like kidney stones if consumed regularly.  The presence of coliform bacteria, commonly found in sewage and waste, suggests serious microbial contamination. This makes the water unsafe and poses risks of waterborne diseases. High levels of heavy metals and hardness can damage kidneys, liver, and bones over time. This report was shared with Dr. Sandihya Bhargava, a public health expert. He relayed his views as “Heavy metals can cause severe damage to the liver, skin, it’s also carcinogenic in nature and coliform bacteria particularly can also result in severe diarrhea, which is also one of the leading causes of undefined mortality across India. Root cause, there are, uh, many root causes of it. First and foremost is industrial affluence going in the water bodies, then human waste going into water bodies, improper water disposal plant, and excess, at times, uh, to reduce the amount of, uh, bacteria or pollutants in the water. The government uses chlorine, they put chlorine into the water and at times is, uh, filled excessively.” To watch the documentary and doctor’s analysis find the link here.

The eagles circling above Bhalswa seem to symbolize the grim reality of its residents—waiting to claim the remains of their dreams, aspirations, and, eventually, their lives. The rancid stench is a metaphor for the false promises made to these people, promises as toxic as the environment they endure.

Insight Media’s Ashamed of My Capital sheds light on the plight of Bhalswa’s residents and the systemic neglect they face. To watch the full documentary and Dr. Bhargava’s analysis, click here.

The story of Bhalswa is not just about a landfill; it is a mirror reflecting the failures of urban development, governance, and humanity itself.

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